All About Eve is an early attempt in Hollywood filmmaking of questioning gender politics, and the place of powerful women within the creative, performance landscape.
Writer and director Joseph Mankiewicz had been contemplating producing a picture about an aged, waning actress for a while, and upon learning about Mary Orr’s 1946 short story ‘The Wisdom of Eve’, he saw the wisdom (ironically) of fusing together the two ideas – telling the story Bette Davis’ celebrated stage actress Margo Channing and how her life is affected by Anne Baxter’s ambitious upstart Eve Harrington.
What follows is a frequently caustic drama, set in the Broadway world of actors, playwrights and critics, which almost certainly by design has the feel more of a stage play, Mankiewicz relying on dialogue and his actors to carry long, lengthy scenes to tell his story. What it does, quite significantly for a film made at the turn of the Fifties, is depict the facile, cyclical nature of fame in an age long before the advent of everyone wanting to become a star. All About Eve was perhaps so well received because it’s a little ahead of its time.