Movie Reviews, Movie Reviews - 2015

The Big Short (2015)

America very much feels like a country which has powerfully lost sight of its own morals, ideals and values. This has become apparent over the last two years since the rise of Donald Trump to the Presidency, and there’s an argument it has been escalating and building since the death of John F. Kennedy ushered in a darker era of sociological tragedy for the American experience, as discussed when I talked about 1993’s In the Line of Fire.

If there has been a modern trigger, an encapsulating moment for the loss of American belief in idealism, then it’s arguably the 2008 global recession explored in The Big Short. Though presented as a jet black, if not indeed cold-hearted, satire, Adam McKay’s movie is concerned with reminding American audiences in particular just how close they came to economic Armageddon, and how a group of quite remarkable money men almost got away with the ultimate long con against their own people.

The whole project stemmed from a book, ‘The Big Short: Inside the Doomsday Machine’ by Michael Lewis, which blew open the biographical tale of the stock brokers and Wall Street financial number crunchers who saw the writing on the proverbial wall when it came to the American, nay global economic market. From a narrative perspective, it’s a goldmine of a story; the ultimate heist tale, in its own way, about a group of somewhat amoral individuals working out a crippling deficiency in the housing market and planning a way to exploit it to make billions–yes, billions–of dollars off the backs of homelessness and unemployment. McKay’s adaptation, written alongside Charles Randolph, doesn’t shy away from that moral conundrum, but equally doesn’t quite want you to take what is a very serious matter all that seriously while doing so.

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Movie Reviews, Movie Reviews - 2015

The Childhood of a Leader (2015)

The Childhood of a Leader is a fascinating piece of cinema, especially given it’s not only a debut piece of work, but the debut piece of work from an actor best known for playing Alan Tracy in the execrable Jonathan Frakes’ Thunderbirds movie.

Brady Corbet’s film is about the birth of fascism. Not in a political sense of being a historical depiction of the rise of Adolf Hitler, but rather the human genesis of a fascist mind. It plays out in the form of a strange psychodrama, one with almost verite touches in its final moments, strange not just thanks to it’s unusual post-World War One setting but in how it pivots around the key developmental moments of a young boy.

Trying to describe the very premise of The Childhood of a Leader would be extraordinarily difficult, something Corbet was acutely aware of when he started writing the script; he at first pulled back on it, convinced thematically it was “too big” for a debut feature, but his wife Mona Fastvold encouraged him to continue and together they developed the screenplay.

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