This was an exceedingly hard list to put together, harder than either the main TV or movie selections. 2018 has an absolute cavalcade of great film music to choose from, so selecting a top 5 was hugely subjective. There are plenty of other albums that could have made it.
As a result, I’ve added below a Spotify link to 40 different film tracks from 40 different movies, many of which didn’t make my personal top 5. Hopefully you may pick out some more film music treats from that expanded list.
Anyway, here we go with my Top 5 film score tracks of 2018…
Adaptations of successful stage experiences to the silver screen are not always adept at capturing the magic of what drew people to the piece in a theatrical setting. The Woman in Black is probably the best example; widely regarded across the world as one of the most terrifying experiences an audience can have in a theatre, both of its cinematic versions retained for many a sense of atmosphere but lacked the potent dread and fear. The jury will be out as to whether the same is true of Ghost Stories.
Having never seen Jeremy Dyson & Andy Nyman’s original play performed on the West End stage, I shall refrain from drawing comparisons between the source material and its adaptation. That can be left for others who have had both experiences. As a piece of cinema, Ghost Stories does manage to capture a level of creeping, dreamlike enigma, shot through with not a little dash of the kind of jet black comedy Dyson added as part of The League of Gentlemen foursome – he was their Terry Gilliam, the unseen on screen writing partner, aside from a cameo – indeed you may spot him in Ghost Stories in a similar function if you’re eagle eyed. Ghost Stories is by no means as broad as the BBC comedy, and is first and foremost a dramatic tale, but there is an undercurrent of gallows humour to the piece which at times grounds it in a sense of normality, as it ventures into strange waters.