Nostalgia seems to be a double edged sword right now in Hollywood. What on the surface appears to be a comforting guaranteed winner in terms of audience satisfaction and cinematic box office is becoming something of a poisoned creative chalice. The lacklustre critical (if not box-office) responses to pictures such as Jurassic World: Fallen Kingdom or Ocean’s Eight, sequels to long-standing, well-regarded franchises; or Lucasfilm’s decision to put a hold on more A Star Wars Story anthology movies after the tepid box office (by Star Wars terms) of Solo, seemingly putting immediately paid to rumoured Boba Fett & Obi-Wan Kenobi-centric films. There is a nostalgia blowback in progress, the ripple effect of which we are only beginning to understand.
Is this a ripple effect that, like the Nexus in Generations, threatens to engulf the future of the Star Trek franchise?
Star Trek: Discovery has enjoyed a fascinating first season, both in the context of its place in the television landscape and the historic Trek franchise as a whole.
For a start, it was a season of two halves, both shaped by different creatives with different aesthetics. Bryan Fuller’s original influence you can feel in the opening arc regarding the revered Klingon extremist T’Kuvma and how his death makes him a religious martyr, triggers civil infighting and launches a ‘crusade’ against the Federation who killed him. The parallels to modern religious fundamentalist terrorism are as potent an allegory as we’ve ever seen in Star Trek, with old series hand Fuller aware for any new show to work (especially one designed to relaunch the franchise on television), it would need to hold true to the precepts of what people loved about Star Trek: the fact it always reflected where we are as a modern 20th or 21st century society.