By now you no doubt have heard about how the Season 5 launch of Arrested Development has been a bit of a ‘fustercluck’ all-round.
The accusations of sexual harassment and abusive behaviour against star Jeffrey Tambor which led to his firing from Transparent, a questionable interview with the New York Times which landed Jason Bateman in particular in hot water, and now presumably trying to head off any more corrosive media troubles, Netflix have cancelled the U.K. press tour ahead of the Season 5 premiere on Tuesday. It’s all just a bit of a mess all round, tinged with the whiff of scandal concerning the key issue rocking the entertainment industry this year – inappropriate behaviour of male actors against their female co-stars, in a variety of ways. It does, however, lead to an important question we haven’t yet achieved the distance to answer.
Does the personal fall of artists compromise the art they have worked on itself?
Game of Thrones changed television. Not many TV shows can say that but Game of Thrones, unequivocally, can. There had never been a show quite like it in terms of scope, grandeur, ambition and ultimately international commercial and critical success. It broke, and continues to break the mould.
George R. R. Martin first began writing his long-form, magnum opus of novels, known collectively as ‘A Song of Ice and Fire’, over twenty years ago before the publication of his first, ‘A Game of Thrones’, in 1996. Set in a fictional fantasy world, primarily on a continent known as Westeros, Martin’s prose was at times pulpy and ripe but his reach was astonishing; taking more than a cue from Tolkien, Robert Jordan and Frank Herbert among others, Martin swiftly created a vibrant fantasy world with an incredible amount of detail and depth lurking behind a complicated, exciting and layered narrative.
Despite the roughly five year gap between publication of Martin’s tomes (seriously, the lighter ‘A Song of Ice and Fire’ novels clocks in at around 800 pages), production companies soon came sniffing around Martin looking to adapt his books into a feature film. Quite understandably, Martin soon made the point that doing ‘A Song of Ice and Fire’ as a movie would be nigh on impossible, explaining how just one of his books is longer than ‘The Lord of the Rings’, which itself was adapted into three enormous movies by Peter Jackson. The scope was just too large. It belonged on TV.