The continuing evolution of Alias across its first season is increasingly paralleled, as it should be, by the evolution and development of protagonist Sydney Bristow, as Color-Blind again returns to the central theme of not understanding or knowing who you truly are, growing lost within yourself deep inside a world with no clear delineation of black and white, or right and wrong. What Roberto Orci & Alex Kurtzman’s second script for the series does, and Alias does for the first time, is frame Sydney’s character journey through that of a guest character.
One of the difficulties in serialised storytelling to the degree Alias has deployed thus far is that it does not particularly encourage the use of the main guest character. TV shows of old, traditional series which tell a contained episodic story and move on, often framed a one-off character as key to the story being told that week. Murder mystery series, such as Murder, She Wrote or Diagnosis Murder, cop shows such as Law & Order or CSI, even science-fiction series such as the Star Trek spin-offs of the 1990’s and shows such as The X-Files, all of them frequently utilised a major guest character to weave a narrative around. With a serialised show telling an ongoing tale, it becomes a lot harder to stop and anchor a story around someone the audience doesn’t care about, and who’ll be gone next week.
Martin Shepard, who we briefly saw played by John Hannah in Reckoning previously, does not entirely anchor everything in Color-Blind but this is unquestionably the first episode of Alias to give a character who is not one of the main cast ensemble an arc of some fashion; in this case, Shepard being reminded of his tragic past as a brainwashed assassin who ended up killing Syd’s fiancee on the programmed order of SD-6, and his journey toward finding some escape and peace from that. The reason it works, and Alias is able to do it, is precisely because it factors into Syd’s psychology along the way. Shepard is a character in his own right but his existence is designed to sketch in more aspects of who Syd is, and her own journey in accepting Danny’s death.
JACK BRISTOW: There are rules, Sydney!
SYDNEY BRISTOW: Then you break them!
Alias is steadily building toward a larger point of revelation across its first season, as the title of Reckoning alludes to. Thematically, the journey of super-spy double agent Sydney Bristow continues to be about her own understanding of the bigger picture, and her place within it.
The complexities of the narrative inside JJ Abrams show even facilitate, starting with Reckoning, a change to the recap preamble of the series’ concept. I’ve talked about how Alias doesn’t just employ a ‘previously’ recap akin to many other TV shows, but starts with a bigger explanation and contextualisation of the broader story the serialised narrative is telling. Here, Alias expands that recap by weaving the scene-setting around the four key characters at the outset of the series – Syd, her handler Michael Vaughn, her boss Arvin Sloane and her father Jack Bristow, the recap showing their faces and names just in case the people at the back AREN’T QUITE GETTING IT. I can’t recall another show which ever quite felt the need to prime the audience week by week with so much detail before even the previously recap.
Perhaps the choice was made because even just six episodes in, Alias is already starting to grow quite knotty and dense, and the show hasn’t even scratched the surface yet in many ways. Reckoning has a multitude of narratives bubbling away – Syd’s suspicion that Jack may have been working for the KGB, Vaughn and the CIA’s slow-burning backdoor hack into SD-6 established in the previous episode Doppleganger, Francie’s uncertainty about her boyfriend Charlie, Will’s investigation into the Kate Jones mystery. That’s just for starters, before any of the main episodic missions for Sydney are even covered, though really so far they have largely just been window-dressing around which the series can delve into these deeper storylines and building character arcs.
Reckoning, if anything, feels like the first example of what would have been a traditional two-part episode of a more conventional network TV show version of Alias.