Rocketman (2019)

Rocketman doesn’t like to use the word ‘biopic’.

Dexter Fletcher prefers the term “true fantasy” for his flamboyant take on the life story of Sir Elton John, arguably one of the most iconic British rock stars of the last fifty years. That certainly fits many of the creative choices inherent in Fletcher’s film and Lee Hall’s screenplay, not to mention the casting of Taron Egerton as John’s cinematic avatar – the culmination of numerous actors in the frame over the two decades in which John has tried to get a film about his life produced, including Justin Timberlake and Tom Hardy. Now if that is not fantasy, it’s hard to imagine what is! Elton John may be many things but a movie heart-throb he is most certainly not. Rocketman, from that perspective, is pure wish-fulfilment.

Yet this is not a hagiography, despite John and his long-term partner David Furnish producing (the latter more heavily). Hall’s script does not pretend that Elton rise to legendary fame was all champagne and rainbows. The drugs are there, the booze, the sex, the angry outbursts and egotistic trappings. Rocketman points a big, intentional, neon sign at the indulgent largesse of Elton’s life that more than once almost killed him at the height of his fame, and is unafraid to show the man at the most down point of his life. The reason Rocketman fails to quite ascend to the heights of great drama, great biopic or even great musical, is because it stops *just* short of showing Elton at his worst. This Elton is still the hero of his own story, looking for love in all the wrong places.

It leaves you wondering just how much bite Rocketman *might* have had if Elton had been less involved.

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The Greatest Showman: Barnum’s biggest con job is on us

There are winds in the east, a storm coming in apparently for the newly released Mary Poppins Returns, if some of the box office reports are accurate.

Forbes are saying that Rob Marshall’s sequel is being seen off quite resoundingly by the surprisingly critically acclaimed Bumblebee, and the fairly divisive Aquaman. The absence of a Star Wars this Christmas for the first time in three years has meant studios have thrown a few major blockbuster candidates into the pot, but it would have been a sure fire bet that family friendly musical Mary Poppins Returns—featuring the half-century long return of one of Disney’s most iconic characters—would rule the roost. This does not seem to be the case so far.

Yet a year ago, another musical, trailing in the wake of The Last Jedi, took audiences increasingly by storm as 2018 kicked off: The Greatest Showman.

To date, Michael Gracey’s film has made $434 million dollars at the global box office, making it the fifth most commercially successful musical of all time. All. Time. In one year. It climbed considerably at the box office on the back of word of mouth, fighting off not just The Last Jedi but other competitors with franchises behind their backs – Pitch Perfect 3 (one of my worst films of 2017) and Jumanji: Welcome to the Jungle. There was over a 70% jump weekend on weekend as the film closed out 2017, which for an original musical, and a 19th century biopic no less, is quite remarkable.

The film collected accolades and nominations for its music, particular the song ‘This Is Me’. In the UK it became only the second album in 30 years to achieve 11 consecutive weeks at number 1. Fans over just the space of a year have started attending ‘sing along showings’ of the film. A sing along version can be watched now on streaming services alongside the traditional way to view it.

This has all been in the space of just 12 months. Can you think of any other film of this genre which has captured the public consciousness in quite the same way in recent years? Only Frozen eclipses it for reach and cultural crossover between children and adults, and that has the advantage of being Disney animation. The Greatest Showman is a live action biopic. How did this happen? And my biggest question, the one that has been rolling around in my head since I watched it a year on from when it was released… how have so many people been conned by it?

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