Nostalgia seems to be a double edged sword right now in Hollywood. What on the surface appears to be a comforting guaranteed winner in terms of audience satisfaction and cinematic box office is becoming something of a poisoned creative chalice. The lacklustre critical (if not box-office) responses to pictures such as Jurassic World: Fallen Kingdom or Ocean’s Eight, sequels to long-standing, well-regarded franchises; or Lucasfilm’s decision to put a hold on more A Star Wars Story anthology movies after the tepid box office (by Star Wars terms) of Solo, seemingly putting immediately paid to rumoured Boba Fett & Obi-Wan Kenobi-centric films. There is a nostalgia blowback in progress, the ripple effect of which we are only beginning to understand.
Is this a ripple effect that, like the Nexus in Generations, threatens to engulf the future of the Star Trek franchise?
Looking at Extras, the second comedy project from Ricky Gervais & Stephen Merchant, a decade on, you realise for all the Leveson enquiries, disgraced newspapers and changing models of television, the world of media and entertainment looks a great deal similar. Few lessons have been learned. Most structures and institutions remain the same.
Because, let’s not split hairs, Extras was and indeed remains a quite clear cautionary tale about the lure and subsequent perils of fame. Not just fame either but fame for fame’s sake, both of which are areas Gervais’ show touches upon the deeper it propels into its narrative over the course of two six part seasons and a feature-length Christmas special finale. Extras turned out to be much like The Office, its predecessor that took Gervais from a memorably offensive supporting player on late-90’s edgy Channel 4 comedy and made him a star of international, indeed Hollywood proportions. Not in style, not even in story, but in the sense of how it constructed a story arc around a concept and concluded in strong, often quite dramatic fashion. Though it lacked the iconic nature of The Office, Extras had the heart, many of the laughs, and certainly had the *point* of why it existed, right up to the very final scene.