It would be easy to present a list of the top 10 film scores of the year but that doesn’t always feel hugely representative – sometimes a particular track may leap out of an otherwise decent but not great album and stick with you.
Therefore, I’m going to present my top 10 tracks from film scores across 2018. Many of these albums are worth listening to in their entirety, but these are the pieces that really stood out from the crowd.
To start with, here is my first five, from #10 down to #6…
If anything proves the Netflix corner of Marvel’s cinematic and TV universe has found its groove, or perhaps in this case its soul groove, it is the second season of Luke Cage.
Marvel’s partnership with Netflix to weave together four shows set in New York City has reached an interesting place, after three years of regularly airing content. The Punisher added a fifth main show to the mix late last year after The Defenders, a much-touted coming together of Cage and fellow heroes Daredevil, Jessica Jones and Iron Fist, underwhelmed a great many. Iron Fist’s first season last year suffered a critical mauling, while people have been lukewarm on Jessica Jones’ recent second season – after it raced out of the gate in late 2015 with a powerful piece of comic-book television. In other words, the Netflix corner of Marvel is drifting a touch, and is in sore need of a booster to remind people of how good it can actually be.
It looks like Luke Cage may, therefore, have returned at just the right time.
Nostalgia seems to be a double edged sword right now in Hollywood. What on the surface appears to be a comforting guaranteed winner in terms of audience satisfaction and cinematic box office is becoming something of a poisoned creative chalice. The lacklustre critical (if not box-office) responses to pictures such as Jurassic World: Fallen Kingdom or Ocean’s Eight, sequels to long-standing, well-regarded franchises; or Lucasfilm’s decision to put a hold on more A Star Wars Story anthology movies after the tepid box office (by Star Wars terms) of Solo, seemingly putting immediately paid to rumoured Boba Fett & Obi-Wan Kenobi-centric films. There is a nostalgia blowback in progress, the ripple effect of which we are only beginning to understand.
Is this a ripple effect that, like the Nexus in Generations, threatens to engulf the future of the Star Trek franchise?