What many Star Trek fans considered an unlikely impossibility has finally, it seems, happened: the franchise is well and truly back on TV, and here to stay.
When Star Trek: Discovery launched at the tail end of 2017, after several delays, it ended the franchise’s 12 year exile from television screens following the slow demise of Star Trek: Enterprise, and the Rick Berman\Paramount TV dominance of the late 80’s and 1990’s – if not the most iconic in terms of popular culture, then without question the most successful era of Star Trek in its half a century of history. Discovery was a symbolic return for one of television’s most legendary series and, as every Star Trek sequel series has done over the decades, it divided opinion.
If you put aside Discovery’s quality, and the difficulties behind the scenes in bringing it to bear, one fact is indisputable: it has triggered a revival of Trek which is now heading in some very unexpected directions.
If you ran a poll asking the average film goer, and indeed the average film critic, which of the Mission Impossible films they considered to be the strongest outing in the franchise, you would have a significant amount point to Ghost Protocol. On the face of it, you can see why. Once you scratch deeper, those reasons become more opaque.
In an attempt to try and tackle the onerous job of looking into the Star Trek book universe, thanks to the help of Memory Beta’s chronology section, I am intending to look at the saga in book form from stories which take place earliest in the franchise’s timeline onwards. This hopefully should provide an illuminating and unusual way of examining the extended Star Trek universe.
Part of this story takes place 5 billion years ago.
The Star to Every Wandering is an unusual Star Trek novel. Author David R. George III is undoubtedly aware of this fact, for numerous reasons. His editor Marco Palmieri at Pocket Books, who produce the tie-in novels, encouraged George for a start to not worry about canon and continuity, two of the most precious and sacred elements of Star Trek. This gave George the license he needed to go off-piste with his trilogy of Original Series novels, under the banner ‘Crucible’, timed to coincide with the 40th anniversary of the franchise in 2006.
The Crucible trilogy deals with the three most archetypal characters in Star Trek history: Captain Kirk, Commander Spock and Doctor McCoy. They all spiral around one of the most celebrated and classic episodes in Trek history, ‘City on the Edge of Forever’, a time-travel story penned by science-fiction legend Harlan Ellison which sees Kirk & Spock use a mysterious, ancient time-portal called the Guardian of Forever to rescue a crazed McCoy from the year 1930, where he changes the course of history on Earth to such a degree that the Nazis win WW2 and the United Federation of Planets, nay the entire future of Star Trek, ceases to exist. Consequently, by making the Crucible books about one of Trek’s strangest alien creations, George has enormous scope to take his three protagonists anywhere and any ‘when’ in Star Trek history. Continue reading
Let’s be honest, nobody expected this, did they? Though specific confirmation hasn’t exactly taken place, it’s looking more and more likely the rumour that Quentin Tarantino met with Paramount and series producer JJ Abrams to pitch a Star Trek movie is true, and that said movie could well be his tenth picture after filming his 1969 Manson era drama. Not only that, Paramount reputedly have assembled a working writers room to flesh out Tarantino’s idea into a script, and have signed off on his insistence the picture be R-rated.
Just let this all digest for a moment… that’s an R-rated Star Trek movie directed by Quentin Tarantino.
It really does sound like the stuff crystal meth dreams are made of, don’t you think? That level of fantasy casting when it comes to cast and crew for your favourite property. Usually when rumours like this float up to the surface, they’re quickly disposed of as lunacy or the workings of a website or tabloid, a perfect example of Trump-ist ‘fake news’. This one, bizarrely, seems to be true, at the very least the notion that Tarantino pitched Paramount a Star Trek movie idea which they absolutely loved. Star Trek IV: Effing and Jeffing? Well, this is now part of the reactionary state of worry within much of the fandom.